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Wilhelmina Weber Furlong (1878-1962) was a German American artist and teacher.〔The Biography of Wilhelmina Weber Furlong: The Treasured Collection of Golden Heart Farm by Clint B. Weber, ISBN 978-0-9851601-0-4〕 Among America's earliest avant-garde elite modernist painters, Weber Furlong was a major American artist who pioneered modern impressionistic and modern expressionistic still life painting at the turn of the twentieth century’s American modernist movement.〔Professor Emeritus James K. Kettlewell: Harvard, Skidmore College, Curator The Hyde Collection. Foreword to The Treasured Collection of Golden Heart Farm: ISBN 978-0-9851601-0-4〕 She has been called〔〔 the first female modernist painter in the early American Modernism scene, and she represents the struggles of many women artists in the late 1800s and early 1900s as they became subjugated to the many realists〔〔 who opposed the American modernist movement and serious women artists.〔(【引用サイトリンク】publisher=The Weber Furlong Press, New York )〕〔(【引用サイトリンク】publisher=The Weber Furlong Press, New York )〕〔(【引用サイトリンク】publisher=The Weber Furlong Collection, New York )〕 ==Biography== Beginning in 1892 her teachers included Emil Carlsen, William Merritt Chase, and Edmund H. Wuerpel.〔 She was present at the Salon d'Automne or Autumn Salon for three years and she knew Pablo Picasso, Paul Cézanne, and others who exhibited at the Paris Salon. In the American modernism movement she painted between 1892 and 1962 where she thrived during the modernist movement in St. Louis, New York, and Paris from 1897 to 1906. She painted in Mexico City from 1906 to 1913 and again in New York City from 1913 to 1947. She was also active during the formative years of the modernist movement in New York City and the popular 1913 Manhattan studio gallery of Wilhelmina Weber Furlong was highlighted in her biography. She also painted in Bolton Landing, New York from 1921 to 1960 at her Modern art colony, Golden Heart Farm〔 and simultaneously in Glens Falls, New York〔The Hyde Collection Museum Glens Falls, New York on Permanent display〕 from 1952 to 1962.〔(【引用サイトリンク】publisher=Post Star Glens Falls, New York )〕 In America her significant circle of friends and acquaintances includes John Graham,〔Smithsonian Archives of American Art Oral history interviews with Dorothy Dehner, 1965 Oct.-1966〕 Willem de Kooning, David Smith,〔 Dorothy Dehner,〔 Jean Charlot, Edward Hopper, Alexander Calder, Rockwell and Sally Kent, Thomas Hart Benton, Allen Tucker, Max Weber, Kimon Nicolaidies, and many others. As a student, she was associated with the Art Students League as a young woman prior to 1900 and in 1913 began a serious role in the New York art scene at the Art Students League as a Secretary Treasurer and member of the Board of Control along with her husband, the artist Thomas Furlong.〔〔(【引用サイトリンク】publisher=Press Republican Plattsburgh, New York )〕 She taught art for over 56 years in New York〔 and she was active with the Whitney Studio Club during the formative years of the organization in New York City a fact revealed in the Studio Club archives.〔The Whitney Museum Library archival items number 15405〕〔Smithsonian Archives of American Art Detailed description of the Ben Benn papers, 1905-1993〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Wilhelmina Weber Furlong」の詳細全文を読む スポンサード リンク
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